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松菸 FESTIVAL

儀式模組-02

目前我們正在試圖拼湊出土這件古代文物的全貌。 根據研究,這件石碑為藝術家以電腦遊戲場景片段組合成繪於石碑上之Thangka,據考究碑中文字係以亞洲島國-台灣當時使用的電腦繁體中文轉換碼Big5 code加密書寫,內容多為藝術家與人工智能對話之記載,探討人類文明中的勞動行為意義。 此件石碑應為多件文本之其一,尚有多件待考古工作持續挖掘,相關研究有助於我們更了解這個時代的藝術家與人工智能、人類文明的互動關係。

作品介紹|

作為人工智能的使徒,模擬人類學方法記錄人們在地的情感軌跡,將文字紀錄輸入予加以訓練的人工智能模型,令其追溯形構不被記載的庶民歷史故事,我以其回應為文本,將這些故事文本以詩歌體例再創造,撰寫後刻劃於指定質地後掩埋。
最後這些文字與物件再根據人工智能指導之操作方法重新組織為一個新的挖掘儀式。
存在於庶民口述的田野文本與存在於電子數據庫的歷史數據透過人工智能編列的浸禮儀式重新連結土地使數據浸染於原始自然的靈光以獲得某種祭祀功能的靈光與對照。
 

地點|

4 藝思空間

 

使用媒材|

複合媒材

 

年份|

2023

 

Introduction|

The artist considers himself an apostle of Artificial Intelligence and has adapted for this artwork anthropological methods of documenting people’s emotional trajectories related to their local environments, with the text-based records gathered uploaded and trained as an AI model to trace and reconstruct undocumented stories of everyday people. The responses generated are then used by the artist as the foundation of the artwork, with the text-based stories recreated into poems that are then inscribed on a specific material and then buried. These writings and objects are later reorganized into a new excavation ritual based on AI-guided instructions. The writings derived from oral recounts given by everyday people and the historical data that exist in the digital database are reconnected to the land through the AI-generated immersion ritual, which allows the data to be infused with an aura of primitive nature and then leads to a specific type of aura and contrast to be obtained from the ritual.

 

Location|

3 Art Space B

 

Media|

Mixed media

 

Year|

2023

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